Angelina Sorokina

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Afterword JNL At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Download Now View Gallery

Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts . Bartosh Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work. Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind. In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal. For all fonts ther

Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es . Notes Notes Download Now View Gallery

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Afterword JNL At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Download Now View Gallery

Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts . Bartosh Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work. Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind. In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal. For all fonts ther

Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints . Conversa A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there. Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo. Give it a try, easygoing-ness guaranteed! Conversa Download Now View Gallery

Designed by Volker Schnebel, jp DIN Vario is a sans serif font published by JPFonts . jp DIN Vario DIN Vario (multi) variable font infinitely adjustable in 3 axes: from thin to black: from Compressed to Expanded Italic Angle: from 0 to 15° The fact that there are finally user programs that support variable fonts and thus offer the user the possibility to make fine adjustments in line thickness and width without having to deform the characters unnecessarily, immediately thrilled me as a font designer. You can use this technique in different ways. Either they are used to achieve only marginal deviations between small and large font sizes, for example, or, as is also possible in DIN Vario, to cover a wide spectrum between thin and black, narrow and wide and in a third axis even a stepless italic angle between 0 and 15°. This task places special demands on the designer and not every type face is equally suitable for this, because shapes must be designed at the respective extremes,