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Skye Wells
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contact me at : skye.lak.wells@gmail.com

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Boosley fonts from Letterhend Studio - (fjjru)

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Designed by Hendry Juanda, Boosley is a retro and script font published by Letterhend Studio . Boosley Introducing, the Boosley - a standout bold script with a touch of nostalgic look and feel. Inspired by 50s 60s signages, this font made to bring back the good ol’ days. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : - uppercase & lowercase - numbers and punctuation - multilingual - alternates / swashes and ligatures - PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Boosley Download Now View Gallery
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Download Stencil Chamfer JNL Fonts Family From Jeff Levine Fonts

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Designed by Jeff Levine, Stencil Chamfer JNL is a display slab and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 The packing information stenciled on an antique wooden crate included a slab serif type style with chamfered corners.  This design has now been re-drawn as the digital typeface Stencil Chamfer JNL , which is available in both regular and oblique versions. Download Stencil Chamfer JNL Fonts Family From Jeff Levine Fonts Download Stencil Chamfer JNL Fonts Family From Jeff Levine Fonts
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Download Lagarto Font Family From Sudtipos

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Designed by Gabriel Meave, Lagarto is a display serif font family. This typeface has three styles and was published by Sudtipos. Download Lagarto Font Family From Sudtipos Some years ago, a good friend and typophile, Gonzalo García Barcha, approached me with the idea of designing a typeface for his editorial project Blacamán Ediciones. He had just came across an hitherto unknown manuscript by Luis Lagarto, a colonial illuminator and scribe, working in Mexico City and Puebla in the late 1500s. The manuscript calligraphy was incredible and stunningly original. It featured three different hands by the scribe, intermingled in the text: a kind of baroque «Roman» roundhand; a very ornate, lively «Italic»; and some sort of irregular, playful, even funny «small caps». All imbued with an eccentric, convoluted zest and vivacious rhythm. Lagarto is the final result of translating these extraordinary hands into a digital type family. Since the manuscri...
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