[smgdqtonrt] Download Sincelo Ornaments Fonts Family From Intellecta Design

Download Sincelo Ornaments Fonts Family From Intellecta Design
Sincelo Ornaments is a dingbat font published by Intellecta Design.


Sincelo Ornaments is a well crafted display font with over 200 gliphs to create intrincate and soft artworks.



Download Sincelo Ornaments Fonts Family From Intellecta Design


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Designed by Missy Meyer, Frogurt is a display slab and hand display font published by Missy Meyer. Download Frogurt Fonts Family From Missy Meyer Frogurt is a soft, plump, rounded slab serif font full of fun! Its fat curves make me think of frozen yogurt, and I’ve always preferred the shorthand “frogurt” to “fro-yo.” I was inspired by a 30-year-old hand-carved wooden sign; when I went to try to find a font with a similar look, I couldn’t really find anything soft and funky enough!  It was a real Goldilocks situation: that one was too thin, that one’s corners were too sharp, that one’s baseline was too strict. So since I couldn’t find something I liked, I made something I liked! I gave Frogurt big pillowy slab serifs, a slightly irregular baseline, and just enough tilt and variation to be fun while still keeping things really clean and readable. The outlines are cleaned up and sharp, so Frogurt will work well for both printing and cutting. Frogurt clocks in with...
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Designed by Olcar Alcaide, Rufolo is a serif font family. This typeface has eight styles and was published by Eurotypo . Download Rufolo Fonts Family From Eurotypo Rufolo is a family of fonts that can be considered both aesthetic and utilitarian. It has an apparent serif, barely hinted at, whose clear past reference is a beautiful epigraphic script on the marble plate placed at the southern entrance of the Roman amphitheatre, in Pompeii. Perhaps its origin dates back to Ugarit’s cuneiform writing (as Morrison suggests as the origin of the serif in “Politics and Scripts”) whose characteristic triangular-shaped incision footprint produces a powerful trait that not only gives character to the writing but also facilitates its support and visual compensation of sizes with neighboring signs. Other clear inspirational references have been Robert Hunter Middleton’s Stellar (1929); Albertus (1932) by William A. Dwiggins; Optima (1952) by Hermann Zapf; And more recently...
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